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May 12, 2014
The Texas designer shares how to create spaces that simultaneously stand out and stand the test of time.
Designer Barbara Hill's bedroom

On open-plan living spaces, like Hill's own bedroom in Marfa, Texas, the designer says: "You can create different seating areas. If you can't create one big one, you create separate ones that flow together." Photo by Misty Keasler.

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Originally appeared in This Former Dance Hall Gets an Encore and Becomes a Designer's House
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The seating area includes an extra-long sofa by Piero Lissoni, and a leather armchair designed by Alfredo Häberli for Moroso. The Twiggy lamp is from West Elm.

"If [the residents] tend to have a lot of people over, they’re going to need more seating," Hill says. "Some people don’t even like sofas and then I do just chairs. There’s really no formula for that, just make sure you have enough seating for your lifestyle." Pictured is Hill's living room in Marfa. Photo by Misty Keasler.

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Originally appeared in This Former Dance Hall Gets an Encore and Becomes a Designer's House
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Formal dining room with ClassiCon Venus chairs

"I seem to buy from companies that are beautifully made," Hill says. "And I do think that’s a good place to put your investment." The dining room of a modern home designed by Hill in Atlanta includes Konstantin Grcic’s Venus chairs for ClassiCon surround a table by Poliform. Photo by Gregory Miller.

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Originally appeared in A Designer Brings Her Bold Brand of Texas Modern to this Atlanta Family Home
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Minimalist bedroom with tall headboard and Maharam fabric

The home's bedroom features a large headboard designed by Hill. "I think a bedroom should be your go-to place for getting away from all the craziness," Hill says. "It should be very simple and warm." Photo by Gregory Miller.

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Originally appeared in A Designer Brings Her Bold Brand of Texas Modern to this Atlanta Family Home
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A Philippe Starck standing lamp and an Eames chaise longue bracket the living room; two Lawrence Weiner prints hang behind a pair of Warren Platner chairs and a table purchased from a River Oaks estate sale; at far left of the room, a partial wall of new

"I think contrast keeps the room from being boring," Hill says. The living room of her condo in Houston demonstrates her knack for mixing materials and shapes. Photo by Dean Kaufman.

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Originally appeared in Stripped Ease
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There used to be walls; now Barbara Hill's bed offers views not just of Houston, but also a French farm table surrounded by a sextet of black and white Harry Bertoia chairs for Knoll.

"The key is not looking too busy," Hill says. "Less is more. Keep it as simple as you possibly can and edit." Photo by Dean Kaufman.

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Originally appeared in Stripped Ease
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Designer Barbara Hill's bedroom

On open-plan living spaces, like Hill's own bedroom in Marfa, Texas, the designer says: "You can create different seating areas. If you can't create one big one, you create separate ones that flow together." Photo by Misty Keasler.

Photo by Misty Keasler.

A Dwell favorite, Texas-based architectural designer Barbara Hill creates comfortable, clean spaces that beg to be lived in. Here, we asked Hill to share her tips for creating cozy rooms, and her design motto: "My formula is, don’t have one. And if you have one, break it."

Click through the slideshow to see her advice in action in some of our favorite Hill-designed spaces.

How do you approach a living room?

I usually start with an important piece like the sofa. I recently had clients that had Barcelona chairs, which are very square and kind of serious so when we started looking at sofas, I wanted them to have something that was more rounded.

I think contrast keeps the room from being boring. Contrast in fabrics, contrast in shapes. So everything is not square or round. If there’s leather, I like to have something like velvet, or something tactile.

For a living room, do you think there are essential things that people may have?

It really depends on the lifestyle. If they tend to have a lot of people over, they’re going to need more seating. Some people don’t even like sofas and then I do just chairs. So there’s really no formula for that, just make sure you have enough seating for your lifestyle. And comfort.

If someone were to entertain a lot, what would you recommend?

Sometimes a space wants a big sofa. But as far as people sitting and conversing, really only two people can talk to each other on a sofa. I actually have to go to the house or apartment and feel the space because just looking at photographs doesn’t do it. And it will hit you on how it sort of wants to be arranged. Or wants to be filled. That, plus, the house will speak to you, and then the clients. But most people that want me to help them are minimalist anyway so that’s not a problem.

How do you evaluate whether a piece of furniture is good quality?

I’ve bought sofas at IKEA for beach houses that hold up pretty well, plus you can replace them down the road. But I seem to buy from companies that are beautifully made. Gerosa and B&B Italia and all those things. And I do think that’s a good place to put your investment. And I also use mid-century furniture that’s second time around. If its in good condition, you can tell by looking. It's already held up for 30 or 40 years. I think its nice to mix in a few old things so your house doesn’t look like a brand new showroom. 

How do you accomplish the right level of contrast in a room?

The key is not looking too busy. Less is more. Keep it as simple as you possibly can and edit. It really is about the editing. We all have too much stuff. If you can't bear to part with something, put it in storage or loan it to someone.

How do you typically design bedrooms?

I think a bedroom should be restful. It should be your go-to place for getting away from all the craziness. It should be very simple and warm. I just think: cozy warm romantic. Even if you live alone, why shouldn’t your bedroom be romantic.

Do you ever work on designing spaces for kids?

Where people may want the rest of their house to be a little more quiet, the kids room can be a lot of fun and have a little more energy. It can really bring out the owner’s personality. I think every room should express the owner’s personality.

What about selecting types of furniture that may grow with a child as they get older?

You buy something at IKEA that you just give away when they change. Or you buy a nice, little more expensive—maybe a very expensive—bed that they keep until they leave home. I’ve been in children’s rooms that had very high-end furniture and they just keep it until they grow up and it doesn’t have to look too adult. That’s a very personal choice there.

What light sources should people consider?

And I love unusual lamps. It’s much warmer [than overhead lights]. It gives you a coziness and a warm and romance. There are so many lamps that are just pieces of art. There are chandeliers that are just pieces of art, too. I think if you’re going to use a chandelier and a lamp, you have to have a very grand house. The biggest mistake for me is contractors and lighting contractors that insist on filling the whole ceiling with lights. It's very busy and it's too much light. Unless you’re going to like shave, I don’t know why you need glaring lights. I like indirect lighting.

How do you create distinct areas in open-plan living spaces?

You can create different seating areas. If you can't create one big one, you create separate ones that flow together. I do like continuity. Although I said I like the unusual, I do like certain threads of continuity in a house, whether it's the color or the type of furniture. Things can be repeated in a certain way. Sometimes that keeps it from being too busy. 

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