Artistic director Molly Smith said, “Bring everyone together, and give me lots of light,” Thom recalls. The architect sunk the administration offices one level and replaced them with a communal public lobby faced by the Fichandler, Kreeger and new 200-sea
Artistic director Molly Smith said, “Bring everyone together, and give me lots of light,” Thom recalls. The architect sunk the administration offices one level and replaced them with a communal public lobby faced by the Fichandler, Kreeger and new 200-seat Kogod Cradle. Thom also built extensive rehearsal and workshop space at the top of the triangular site—tripling the overall amount of space.
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There’s always a lot of talk in Washington about creating a “big tent” that embraces diversity, and now the capital finally has one—literally: architect Bing Thom’s new…
November 4, 2010